Also a theatre director in Yorkshire and a self-proclaimed Francophile, author Angela Wren presents her second Jacques Forêt mystery, Merle. Like her first Jacques Forêt novel, Messandrierre, Wren sets Merle in a small, French town that soon discovers that murder visits not only Paris.
Formerly a Parisian policeman, Jacques Forêt is now a private investigator who has been commissioned by Vaux Consulting to investigate the possibility of corporate corruption among executives. As Jacques spends time with the employees of Vaux Consulting, he finds that there is more being hidden within Vaux Consulting’s walls than originally suspected. Jacques is quite confident in his investigative skills, however, and isn’t afraid to ask awkward questions to find out what he needs to know; Jacques seemingly begins to upset the wrong person, and receives notes threatening himself and his lover, Beth, who has just decided to move to Merle with Jacques. Before any resolution arrives, corruption spirals into murder, and the lives of people near to Jacques are put into danger.
Wren demonstrates her skill as theater director by fragmenting her plot and rearranging the pieces in a way that opens her novel with an apéritif showing a glimpse of the denouement. Wren keeps Jacques and Beth dimensional with subplots exploring how how serious Jacques and Beth’s relationship is, and how Beth’s hobbies will thrive in Merle. Wren’s astute attention to detail of French culture, architecture, and geography keeps her writing relevant and pleasant.
Packed with continuing complications to intensify the final unraveling, Merle is a thrilling read about authority, corruption, and the power of secrets to deprave a genial French town.
As a young mother of two small children, Melissa Dalton-Bradford was a professional musical theater actress preparing to step onto a Broadway stage when she received a phone call from Randall, her husband: he’d been offered the job, and it would take his family to Norway.
The idea wasn’t too unimaginable – after all, Bradford had lived abroad before, and she and Randall did want to raise their children in other countries – and what a perfect opportunity for their family! But the offer had come sooner than Bradford thought it would, and over the next twenty years, Bradford and her family would call eight different countries “home”.
Global Mom: Eight Countries, Sixteen Addresses, Five Languages, One Family is a wonderfully lively memoir of a woman who experiences first-hand the struggles and rewards of motherhood across the globe.
Dalton-Bradford dives right into her memoir with life in Norway. Her voice as an author begins as a voice that I would expect of a landmark writer, made an example of for her use of literary analogy. Reflective of Dalton-Bradford’s cheerful writing is her and her children’s lives through the young years. Dalton-Bradford tells of bundling her small children, Parker and Claire, in layer after layer of “vintertøy”, or winter clothing, before they run outside to play with the Norwegian children from whom they will gradually pick up the tongue of the nation. It is during these years in Norway that the Bradfords purchase the single possession that will act as the landmark of Dalton-Bradford’s many homes: a ten-foot long, three-foot wide, four-inch thick Norwegian dinner table, purchased as a memorial to five years that the Bradfords lived in Oslo. Throughout her memoir, Dalton-Bradford tells of sitting at the table for journal entries, projects, gatherings, homework assignments, and holiday dinners. When the Bradfords move to France, the table is lifted by a pulley through a second-story window into their new French home whose entrance is too narrow to accept the large piece of furniture.
Upon arrival in France, Parker and Claire experience struggles in schools in Versailles, thanks to their Norwegian foundations. This doesn’t stop Parker from growing to identify Paris as his true home, however. A move back to the States meets Dalton-Bradford’s children gritting their teeth at having to memorize an “Allegiance chant.” Claire hears all the other girls on the elementary school playground giggling with each other about somebody named, “Lizzy McGuire”, and goes home to tell her mother that they must get American television.
Subsequent years take the Bradfords again to Paris before yet another move to Munich. It is not until the few weeks between Paris and Munich that I believe Dalton-Bradford finds her true, personal voice as a writer. Dalton-Bradford experiences crisis, loss, and discouragement. I have not experienced motherhood – but the last few chapters of Dalton-Bradford’s memoir pull strings within me that I’m sure would’ve been tugged much harder if I had children of my own.
As an adventurer with desires to travel, absorbing Global Mom has moved me to realize that nothing really holds a person back from achieving their goals and living their dreams. Things happen along the way – life happens, it always does – but to have the strength, faith, and courage of a wife and mother who continually moved her family physically, while keeping them rooted emotionally, is something that I would every day envy for my own venturesome existence.