Guest Post and Excerpt: I Stop Somewhere

I Stop Somewhere
T.E. Carter
Published by: Feiwel & Friends
Publication date: February 27, 2018
Genres: Contemporary, Young Adult

Ellie Frias disappeared long before she vanished.

Tormented throughout middle school, Ellie begins her freshman year with a new look: she doesn’t need to be popular, she just needs to blend in with the wallpaper.

But then, the unthinkable happens, and Ellie is trapped after a brutal assault. She wasn’t the first victim and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her.

The problem is, no one searches for a girl they never noticed in the first place.

The Lovely Bones meets All The Rage in a searing, heartbreaking contemporary story of a lost teenager, and the town she leaves behind. T.E. Carter’s stirring and visceral debut not only discusses and dismantles rape culture but also makes you slow down and think about what it is to be human.

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From the Author: The story of the cover design and why it couldn’t be pink

Admittedly, I had very little involvement in the cover design for the novel, since it was handled internally at Macmillan. However, there are so many elements that the cover just got so right about the novel itself, that it’s a really interesting topic of discussion.

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My editor did ask during our second round of edits if I had any feedback or specific requests. I didn’t, to be honest, except that I knew the cover shouldn’t be pink. There’s a recurring theme in the novel about what makes a girl and I worried that this would lead a designer to pink, and I don’t like the automatic linking of girls to pink. I don’t mind pink, but Ellie (the main character) doesn’t like pink, and one of the key themes of the book is that defining a girl is about more than stereotypes or this idea of what a girl should be. So pink felt somewhat antithetical to that. At the same time, I then thought maybe pink would be ironic and could be effective, so I wasn’t too useful in providing insight into the design process.

When they first showed me the cover, I fell in love with it aesthetically, but I also found myself a little confused. It was nothing like I had expected. I knew it was a cover that I would be drawn to, and it does make sense for the book when you stop and think about it, but I figured that the primary setting – an abandoned house – would play a role in the design. When there were no houses, I was a bit taken aback.

After thinking about it, though, I realized an abandoned house would have hinted at the book being horror or a thriller, and it’s not. It’s firmly rooted in contemporary realism, so combining a thriller-looking cover with a summary that’s a bit mysterious may actually have worked against getting the book to the target reader.IStop

What I love about this cover is that it’s black, which clearly illustrates that it’s not a light read. It’s not a light or easy story and I like knowing what kind of book I’m getting when I pick up a book. The cover is also symbolic of so many aspects of the story. The leaves are covered in frost, showing that they shouldn’t even be alive. But there are small flowers finding their way through anyway. It’s this idea of life fighting for a way, even when it’s impossible. Plus, it also speaks to the story, which does try to show that even in the darkest and coldest places, there can be small bursts of good.

I also did some research into the plant itself, which is stinging nettle, and discovered that the plant thrives in places where iron has been left to rust. The town where the book is set has seen better days and is full of abandoned factories; it is, in essence, “rusting.” In addition, the plant symbolizes being detached from your body and a lost soul, which is the entire premise of the book. After an assault, Ellie is trapped and trying to find her way back to life before. Stinging nettle also helps heal trauma in youth, especially in situations of low self-esteem, and both of these are key parts of Ellie’s character. According to http://www.beefieldsfarm.com/read/2016/03/stinging-nettle, “[stinging nettle] is also useful for those whose body/soul fusion has been incomplete, or is damaged due to trauma,” and this could not speak more to the novel and its themes!

Finally, there’s the title. It’s so bold and the book is very much about Ellie not having a voice and not feeling like she’s even part of the world she lives in. As the summary says, she was a girl no one noticed, but the title refuses to go unnoticed. I like this, as it’s almost like Ellie screaming from the darkness and demanding to be heard for once.

So, while I had little say in the cover, it really does capture everything about this story beautifully and I think it speaks volumes to what a reader can expect.


Excerpt from I Stop Somewhere:

Later, I remember how my dad would stand in my doorway, watching me. Trying to reach me across so little space, yet so much. He stared at me like you look at a museum display or a creature in the zoo. I was the coelacanth and he was awed by my strangeness.

“I brought you something,” he said, holding a bag out across the threshold to my bedroom.

My room was an experiment. Posters and magazine pages and images covered the walls and the vanity and my dresser. All the people I wanted to be, wanted to look like. They were the people who mattered. I stared at myself in the mirror, hating how I looked. I hated how the curves made the boys poke me through the back of my chair in class, and how they made the girls call me fat. I hated how far the people in the magazines were from me. I thought I would never count, because I wasn’t them.

“What is it?” I asked my dad, gesturing toward the bag he was holding.

“I thought you might like it.”

It happened every few nights. He’d show up, presenting an offering in a plastic bag. Makeup. Clothes. Hair bands. He tried. He tried and so I tried, but the discount stickers said it all.

They were marked down, because the lipstick was too orange. The tank top wasn’t cut right. The hair pins would have been perfect for a girl my age – ten years ago. But I wore them for him and he smiled, because he didn’t know the difference.

“Thanks, Dad. I love it,” I lied.

“You’re beautiful, Ellie.”

I was a markdown girl.

I did know the difference.


T.E. Carter was born in New England and has lived in New England for pretty much her entire life. Throughout her career, she’s done a lot of things, although her passion has always been writing. When she’s not writing, she can generally be found reading classic literature, obsessing over Game of Thrones (she’s one hundred percent Team Lannister), playing Xbox, organizing her comic collection, or binge-watching baking competitions. She continues to live in New England with her husband and their two cats.

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Cover Reveal: ISAN

ISAN
Mary Ting
Publication date: May 1, 2018
Genres: Dystopian, Science Fiction, Young Adult

The world has changed.

Scientists warned it would happen.

Meteors devastated the Earth. World Governments developed plans to help surviving citizens. The United States disbanded and salvageable land was divided into four quadrants—North, South, East, and West—governed by The Remnant Council.

Struggling to survive, seventeen-year-old Ava ends up in juvenile detention, until she is selected for a new life—with a catch. She must be injected with an experimental serum. The results will be life changing. The serum will make her better. To receive the serum Ava agrees to join a program controlled by ISAN, the International Sensory Assassin Network.

While on a training mission, she is abducted by a rebel group led by a guy named Rhett, and is told that not only does she have a history with him, but her entire past is a lie perpetuated by ISAN to ensure her compliance. Unsure of who to trust, Ava must decide if her strangely familiar and handsome captor is her enemy or her savior—and time is running out.

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Author Bio:

International Bestselling Author Mary Ting/M. Clarke resides in Southern California with her husband and two children. She enjoys oil painting and making jewelry. Writing her first novel, Crossroads Saga, happened by chance. It was a way to grieve the death of her beloved grandmother, and inspired by a dream she once had as a young girl. When she started reading new adult novels, she fell in love with the genre. It was the reason she had to write one – Something Great. Why the pen name, “M. Clarke”? She tours with Magic Johnson Foundation to promote literacy and her children’s chapter book, No Bullies Allowed.

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Review: The Tower

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Nicole Campbell. CreateSpace Independent Publishing Platform, $13.50, 346p. ISBN 9781545411278.

Her fifth novel in just over two years, Nicole Campbell presents The Tower, a young adult story of life, love, death, and loss. Setting her tale in Elizabethtown, Illinois, and distinguishing it with a foundation in witchery, Campbell tells the otherwise familiar story of three teenagers who have grown up together and are now learning how to navigate through the realities of life.

Rowyn, Reed, and Rosalyn are as close as three friends can be. Having been raised as members of the same “Circle,” their families’ beliefs in witchery knit them close as the characteristic that sets them apart from the other kids at school. Outside of their beliefs, though, Rowyn, Reed, and Rosalyn are every-day teenagers that struggle with coming of age, relationships, what to do after high school, and even the effects of sudden tragedy.

While the staple themes of a young adult novel are well carried throughout the novel, the significance of some of the witchery signified in the story isn’t directly communicated. For example, the Tower card is drawn periodically during readings,  but without an understanding of tarot cards and their meanings, the connotation is lost to the reader. It is not until the last page of the book that some connection is made between events in the story and drawings of the Tower card:

“The Tower card hadn’t lied. Everything crumbled and fell, and it took pieces of me with it.” Excerpt From: Nicole Campbell. “The Tower.” iBooks.

Campbell writes well while switching between points of view of each of the teenagers. She is attentive to differing reactions that each character might have to the same event, and is able to understand and communicate emotional struggle. The Tower is an approachable story, remaining realistic in its “paranormal” basis, welcoming any reader of general young adult fiction.